Depth.
Renaissance scholars and artists based their work on classical sources and linear perspective. A more natural reality in painting and widespread education were prevalent during the Renaissance.
Brunelleschi: Linear perspective.
• The Renaissance was the rebirth of culture and knowledge; it was a significant change from the ignorance of the Middle Ages. Artists used linear perspective in their paintings, the revival of classical time, Greek and Roman mythology was inspiration for many. Michelangelo and da Vinci studied the human body to make their arts more realistic. It represented a time of challenging traditional beliefs.
Paintings of the Renaissance are known for several characteristics that distinguish them from artworks of other periods. Some of the notable features of Renaissance paintings include: Realism and Perspective: Renaissance artists sought to represent the world as accurately as possible, using techniques such as linear perspective to create the illusion of depth and three-dimensionality on a two-dimensional surface. Human Anatomy and Proportions: Renaissance painters, especially during the High Renaissance, were deeply interested in human anatomy and proportions. They studied the human body to accurately depict figures with naturalistic and lifelike qualities. Classical Influence: Renaissance artists drew inspiration from the art and culture of ancient Greece and Rome, incorporating classical themes, motifs, and architectural elements into their works. Chiaroscuro: Artists used chiaroscuro, a technique that involves the contrast of light and shadow, to create a sense of volume and depth in their paintings. Emotional Expression: Renaissance artists aimed to convey emotions and psychological depth in their figures, moving away from the flat and rigid portrayals of the preceding Medieval period. Religious and Mythological Themes: Many Renaissance paintings centered on religious subjects, such as scenes from the Bible or the lives of saints, but also included mythological narratives and historical events. Oil Painting: During the Renaissance, the use of oil paints became more prevalent, enabling artists to achieve richer colors and smoother textures in their works. Portraiture: Renaissance painters excelled in portraiture, creating realistic and expressive depictions of individuals from various social classes. Patronage: Much of the art produced during the Renaissance was commissioned by wealthy patrons, including the church, nobility, and wealthy merchants, which influenced the subject matter and style of the artworks. Artists' Signatures: Renaissance painters began signing their works, marking a shift towards recognizing individual artists as distinct creators. These characteristics collectively contributed to the distinctive style and legacy of Renaissance paintings, making them a significant and influential period in the history of art. Some of the renowned artists from the Renaissance include Leonardo da Vinci, Michelangelo, Raphael, Titian, and Jan van Eyck, among others.
He was the first painter to make use of the linear perspective, discovered by his friends Brunelleschi.
Linear perspective
Renaissance scholars and artists based their work on classical sources and linear perspective. A more natural reality in painting and widespread education were prevalent during the Renaissance.
Brunelleschi: Linear perspective.
Mannerism is a form of painting notable for elongated forms, precariously balanced poses, a collapsed perspective, irrational settings, and theatrical lighting. The High Renaissance art was represented by its development of highly realistic linear perspective with the works of Leonardo, Michelangelo and Raphael along with Botticelli, Donatello and Titian representing artistic pinnacles that were to be much imitated by other artists. Mannerism, still a controversial term, followed High Renaissance, and was later replaced by the Baroque style.
Inspired by ancient Greek and Roman classical ideas and principles, Renaissance Artists devoted themselves to creating both paintings and sculptures which represented their personal observations of natural world by gaining a more thorough understanding of the physical anatomy and linear perspective.
Linear Perspective
Probably the greatest difference between medieval art and the art of the Renaissance is that Renaissance artists wanted to be visually accurate. Renaissance artists studied human anatomy in a way medieval people would probably have found shocking, for example, by watching doctors dissect the bodies of dead people. Renaissance artists also developed and studied linear perspective, which is the same perspective that is produced in a camera. They produced a level of understanding of linear perspective that remained virtually unchanged until advances of the last few decades of the 20th century. Renaissance artists also relied heavily on oil paints, which allowed much more detail in the paintings than could be achieved by the paints used in the Middle Ages. Oils were under development during most of the Middle Ages, but it was not until the Renaissance that they were really perfected. Renaissance artists were less inclined to limit their artwork to religious topics than medieval artists were. The great art of the Middle Ages include a lot of calligraphy and illumination of manuscripts. These, of course, were replaced by typography, wood cut, and engraving during the Renaissance.
Probably the greatest difference between medieval art and the art of the Renaissance is that Renaissance artists wanted to be visually accurate. Renaissance artists studied human anatomy in a way medieval people would probably have found shocking, for example, by watching doctors dissect the bodies of dead people. Renaissance artists also developed and studied linear perspective, which is the same perspective that is produced in a camera. They produced a level of understanding of linear perspective that remained virtually unchanged until advances of the last few decades of the 20th century. Renaissance artists also relied heavily on oil paints, which allowed much more detail in the paintings than could be achieved by the paints used in the Middle Ages. Oils were under development during most of the Middle Ages, but it was not until the Renaissance that they were really perfected. Renaissance artists were less inclined to limit their artwork to religious topics than medieval artists were. The great art of the Middle Ages include a lot of calligraphy and illumination of manuscripts. These, of course, were replaced by typography, wood cut, and engraving during the Renaissance.
• The Renaissance was the rebirth of culture and knowledge; it was a significant change from the ignorance of the Middle Ages. Artists used linear perspective in their paintings, the revival of classical time, Greek and Roman mythology was inspiration for many. Michelangelo and da Vinci studied the human body to make their arts more realistic. It represented a time of challenging traditional beliefs.
during the Renaissance in Italy
linear perspective
Probably the greatest difference between medieval art and the art of the Renaissance is that Renaissance artists wanted to be visually accurate. Renaissance artists studied human anatomy in a way medieval people would probably have found shocking, for example, by watching doctors dissect the bodies of dead people. Renaissance artists also developed and studied linear perspective, which is the same perspective that is produced in a camera. They produced a level of understanding of linear perspective that remained virtually unchanged until advances of the last few decades of the 20th century. Renaissance artists also relied heavily on oil paints, which allowed much more detail in the paintings than could be achieved by the paints used in the Middle Ages. Oils were under development during most of the Middle Ages, but it was not until the Renaissance that they were really perfected. Renaissance artists were less inclined to limit their artwork to religious topics than medieval artists were. The great art of the Middle Ages include a lot of calligraphy and illumination of manuscripts. These, of course, were replaced by typography, wood cut, and engraving during the Renaissance.