yes.
There is no conclusive evidence to suggest that Herman Melville plagiarized Amasa Delano in writing Benito Cereno. It is more likely that Melville drew upon historical accounts and his own imagination to craft the story. Both writers were inspired by the same historical event, the revolt aboard the Spanish slave ship Tryal in 1805, which Delano documented in his memoir.
Amasa Delano is the main character in Melville's Benito Cereno. Herman Melville was American novelist. Benito Cereno was published in 1885.
Benito Cereno was created in 1855.
San Dominick
The cast of Benito Cereno - 1969 includes: Ruy Guerra as Le capitaine Benito Cereno Jacques Mercier as Rover Philippe Nourry as Aranda Serge Roullet Georges Selmark as Le capitaine Amaso Delano Gino Turini as Nathaniel
NET Playhouse - 1964 Benito Cereno 1-25 was released on: USA: 28 May 1967
Herman Melville also wrote works such as "Billy Budd, Sailor," "Benito Cereno," "The Confidence-Man," and "The Piazza Tales," among others. These works vary in genre and style, showcasing Melville's versatility as a writer beyond his most famous work, "Moby-Dick."
The year: 1799 The setting: Off the coast of Chile, near the island Santa Maria
Captain Delano's good nature stood in the way of his knowing the truth about the San Dominick because he could only see the good. The full story can be found in the book Benito Cereno by Herman Melville.
Herman Melville was critical of slavery and depicted its brutality and moral implications in his works, particularly in "Benito Cereno" and "Moby Dick." He believed that slavery was a grave injustice that dehumanized both the enslaved and the enslavers, and his writings often confront the complex moral questions surrounding the institution.
Absolutely, but you have to be careful because readers usually grow attached to a protagonist. Some authors switch points of view in different chapters, which would soften the blow of losing a character, and others carry on with a new protagonist who is related to the original. In general though, if you can imagine it, you can do it. Doing it well, so that people will understand and it isn't hard to read is the challenge. :)
Stephen Railton has written: 'The Life and Work of Mark Twain - 4 DVD's - 24 Lectures (The Great Courses, Course No. 2565 and 2566 - Part 1 and 2)' 'Bedford Anthology of American Literature V1 & Uncle Tom's Cabin & Benito Cereno' 'Fenimore Cooper' -- subject(s): Biography, American Novelists, American Historical fiction, History and criticism
The question can be read either of two ways, see below:1) Can a protagonist in a story undergo some sort of transformation, either emotional or physical? -- Yes. Most stories feature protagonists who undergo some sort of transformation or growth. The events of the plot may make them realize that their original issues are not really problems. For example, if the protagonist is a girl who seeks popularity becomes popular and realizes how vacuous it makes her, she may change her point of view and decide to ditch the popularity because she "lost herself" in the process. Metamorphosis by Kafka is about a protagonist who literally becomes an insect.2) Can a story start with one protagonist, but "jump ship" and choose a different protagonist later on? -- Yes. This is not a common story technique, but it can be done. One of the more popular ways to do this is to create a protagonist who succumbs to some sort of evil and the story shifts to following the person who redeems him. A less popular way can be seen in Benito Cereno by Melville, where the story alternates between three different individuals, an American Ship-Captain, a Spanish Ship-Captain (the titular Benito Cereno), and the leader of slave revolt on the Spanish ship. Each of the three leads part of the story of which the other two are antagonists before becoming the protagonist later on.