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I'm not quite sure what you mean but the finale of the overture has been used many times by the media, especially to denote galloping horses [including The Lone Ranger theme] and in the Opera itself the final act includes a battle of armies. However there is nothing to suggest that Rossini had galloping horses in mind Rossini never could have gotten the three-beat of the galloping horse if he hadn't known about it. He was a blacksmith's apprentice at the age of 13. I think he may have had personal experience with a runaway horse. Certainly he knew the galloping cadence.

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Q: How did Gioachino Rossini know about galloping horses for his William Tell overture?
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