If the print is pencil signed and numbered in the margin outside the image, it is most likely a serigraph. If there is a signature within the image AND a pencil signature, this is called a plate signed lithograph. If there is no pencil signed signature, it is most likely a poster.
As a major dealer, LeRoy only signs serigraphs in pencil. Everything that is a poster is signed in pen or felt pen. Also a poster is smaller than the graphic. The poster is obviously 1 dimensional, and the serigraph looks like it has paint on the paper. In addition, the poster is an offset image of the original. So, you can see the actual brush strokes as in a photo. Whereas, the serigraph is reproduced by the printer and therefore, you will not see actual brush stroke marks.
use your brains
yes. find her, then tell her whatever it is you want to tell her
Arthur Tell Schwab died in 1945.
Diane Tell was born on December 24, 1957.
Abdullah el-Tell died in 1973.
A lithograph is a print too, produced from the lithography process and a metal plate. It is the only process to produce prints, so there are no non-lithograph prints to compare lithographs with. Some prints were made from engraved templates centuries ago, and this method is still used for stamps, but nor for prints anymore.
i have a norman rockwell traveling saleman serigraph on rick paper published year 1962 -162/350 edition size350 numbered 350 artist proofs 35 publisher brown & biglo can you tell me the value
You've got to act really cool and tell her how great you are and that if she doesn't like you then there are lots of other girls that want to go out with you. Tell her your name is Crazy Leroy and that you are a motorcycle racer.
I have seen this lithograph advertised for in the neighborhood of $1100.00 dollars. We happen to have one!
* I cant tell you but wish I knew. I have an 89 testing in the water. below is a web site selling lithographs of hers that go for over $250.00. There are no dates of the prints to help decide. * www.artinaclick.com/artist/list.asp?letter=R *
Your print could be worth several hundred dollars, depending upon it's condition & if it's antique. If it's tattered, not too much. / countryguitar1@gmail.com
If it is the one I have with Montana and Clark's hand prints embossed into the print and their autographs, I can tell you I paid $400 for it on the 10th anniversary of "the catch" at an art gallery in Los Altos, CA where Dwight Clark was on hand to personally sign your print. They were numbered and in limited quantity... mine is 321 of 2500.
need a lot more info... printer?ancourt or museum de albi'? signed, numbered? size... basically the lautrec used ancourt while living and museum de albi picked up his rights after his death. This does not mean that he did not use the mus. d. albi while alive... does the lithograph, or the corner bear a stamp(and possible location-street address? the whole deal with a lithograph is that you can create the work, long after the artist is dead. So was the lithograph made 20 years ago, or over a 100 years ago. regardless, if it is real, it has sale value of anywhere from 1000 to 60/70 k-the low estimate covers a lot, the high estimate is assuming it is towards the higher end...big range in between. as previously noted, it is a work of art that can be reproduced, so in many ways it is not unique. If it was hanging at a specific location it becomes unique. If it was an early run, it is a great example of three stone technique adopted from the japanese. If it was a later run, it bears far less historical significance. still, despite the fact that it is a reporduced work, the artist himself was one of the earliest to adapt to the use of poster art... I'd get it appraised, and find a good auction for it, because the ONLY way you will know what it is worth, is if you sell it. If you keep it, then I would tell you that it has no price, and is therefore, 'priceless'.
Frederick Waterman is known for his work in the field of management, particularly in relation to Total Quality Management (TQM). One of his notable publications is the book "The Team Handbook" which focuses on building effective teams for organizational success.
Baby LeRoy has: Played Monsieur "Baby" in "A Bedtime Story" in 1933. Played Joker in "Alice in Wonderland" in 1933. Played himself in "Hollywood on Parade No. B-13" in 1934. Played himself in "Hollywood on Parade No. B-6" in 1934. Played Wally Jr. in "The Lemon Drop Kid" in 1934. Played Albert Pepperday in "The Old Fashioned Way" in 1934. Played himself in "Starlit Days at the Lido" in 1935. Played himself in "Cinema Circus" in 1937. Played himself in "To Tell the Truth" in 1956. Played himself in "Hollywood My Home Town" in 1965.
I saw a ghost once when I was younger. Nobody believes anything I say now. If you do see one, don't tell your parents or your friends. They'll all laugh at you and call you crazy or say that you have an "brain disorder." I'm not sure what all ghosts look like, but mine looked just like my uncle Leroy. The ghost tried sneaking into my room at night, so I pulled the covers over my head. I heard the ghost walk right up to my bed and felt it put it's cold, lifeless hand under the blanket and onto my leg. I jumped up and ran away screaming past the ghost that looked exactly like my uncle Leroy. I ran into my parents' room, but they told me my uncle Leroy was asleep on the couch downstairs and that it couldn't have been him. I went back to my room and the ghost was gone. I hope it doesn't come back to eat my soul.
Tell him, tell the truth dont get your friend to tell him you tell him tell the truth