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H.G. Wells uses gothic techniques such as creating a sense of foreboding and supernatural elements in his writing to evoke a feeling of inner terror within the reader. This supports Edgar Allan Poe's claim that terror originates from deep within the soul as it triggers a response that taps into the reader's deepest fears and anxieties. Wells' use of gothic elements enhances the psychological impact of the story, reinforcing the idea that true terror arises from within the individual.

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12y ago

H G Wells's 'The Red Room' is in many ways a parody of the Gothic genre, where evil was often represented by an external entity: ghost, monster, vampire etc. It uses many of the features synonymous with the Gothic genre: the isolated setting, the three "grotesque custodians" of the castle, the darkness, shadows and candles blowing out. However, the suggested ghosts of an earl or his mistreated countess do not materialise and although the young narrator experiences a very disturbing night in the 'red room', he finally concludes that the fear comes from inside himself.

Therefore, it could be said that Wells does support Poe's famous quote: "If in many of my productions terror has been the thesis, I maintain that terror is not of Germany but of the soul", where Poe denied his writing was similar to the Germanic fantasy genre - more commonly known today as the Gothic genre.

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Q: How does H G Wells use gothic techniques to support Edgar Allan Poe's claim that terror is of the souls?
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