By the time of the Renaissance, sports had become entirely secular, but in the minds of the Czech educator John Amos Comenius and other humanists, a concern for physical education on what were thought to be classic models overshadowed the competitive aspects of sports. Indeed, 15th- and 16th-century elites perferred dances to sports and delighted in geometric patterns of movement. The ballet developed in France during this period. Horses were trained to graceful movement rather than bred for speed. French and Italian fencers like the famed Girard Thibault, whose L'Accademie de l'espee appeared in 1628, thought of their activity more as an art form than as a combat. Northern Europeans emulated them. Humanistically inclined Englishmen and Germans admired the cultivated Florentine game of calcio ("kick"), a form of football that stressed the good looks and elegant attire of the players.
Arm wrestling, boxing, track and field, were all carried through the Middle Ages by peasants in scattered villages throughout Europe."
"The Italian and French courts were refining sword-play from the battlefield hack-and-slash, into something more refined, with rules and manners that would eventually become modern fencing. Folks living in towns and villages took an increasing interest in the children's games played with inflated pig bladders, or with sticks and balls of rags, forming teams to play against neighboring towns, and guilds of wool merchants competing against weavers and tailors. Still, athletics and contests continued as a mostly local phenomenon, played for fun and enjoyed by the people who played.
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