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What company makes the classic SM57 Microphone?

Updated: 8/19/2019
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13y ago

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Sure, it's Shure... ^_^

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Q: What company makes the classic SM57 Microphone?
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Which country is Shure SM57 based in?

Shure SM57 is a dynamic microphone. It is made by Shure Incorporated, an American company located in Niles, Illinois. It provides microphones, wireless microphone systems, phonograph cartridges, digital signal processing, mixers and discussion systems.


Where can someone purchase a Shure SM57 microphone online?

There are many online stores that sell sound equipment such as the Shure SM57 microphone. One could purchase it directly from Shure themselves, or from popular stores such as Amazon and eBay.


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What microphone uses external voltage supply such as a battery?

Look at the microphone datas, they will tell you, what external voltage you need. Only dynamic microphones like the Shure SM57 need no extra voltage.


Is a microphone a proper noun or a common noun?

The noun 'microphone' is a common noun, a general word for any device used to convert sound energy into electrical energy for the purpose of transmitting or recording sound.A proper noun is the name of a specific person, place, or thing; for example, the Shure SM57 Dynamic Microphone or the Neumann U87 Ai Shockmount Set Z Microphone.


What lapel would you recommend for my studio?

Lapel microphone are the best for studio but if you are feeling that they are super expensive so please look at audio-technical Atm-510 and Shure SM57. These two models are less expensive and they have good quality also.


Is microphone a proper noun or a common noun?

The noun 'microphone' is a common noun, a general word for any device used to convert sound energy into electrical energy for the purpose of transmitting or recording sound.A proper noun is the name of a specific person, place, or thing; for example, the Shure SM57 Dynamic Microphone or the Neumann U87 Ai Shockmount Set Z Microphone.


Industry Standard Musical Instrument Microphones?

Musical instrument microphones are a different beast than the standard vocal mics. They are built to withstand higher amounts of decibels and harsher frequencies. Whether for guitar amps, bass drums or overhead ambiance, there is an industry standard microphone for the job. Shure SM57 The Shure SM57 is a classic. Like many instrument mics, it is unidirectional so that it can focus directly on one sound source. It’s most commonly used to record guitar amps and snare drums. The frequency range of an SM57 is centered around the mids which are usually what amps and snares produce. A couple of reasons why this mic so popular is its flat response (honest sound replication) and the fact that it is one of the most durable microphones on the market. Just about every serious recording studio has at least one SM57. AKG D112 Large Diaphragm Microphone Capturing a bass drum sound is one of the most difficult things to do in a recording. The frequencies are so low and the pressure of each hit is so great that there are few mics people trust. The AKG D112 is one of them. It’s robust outer shell is built withstand just about anything. In fact, it’s more reminiscent of a grenade than a microphone. The frequency response captures sounds as low as 20K, which is enough to record even the deepest of bass drums accurately. Rode NT5 An industry favorite, the Rode NT5 usually comes in sets of two in order to capture overhead sounds in stereo. Rode microphones in general are known for being incredibly low-noise. This means that the mics themselves make little-to-no noise -- an area in which many mics fall short. The NT5s work great for recording drum set cymbals, a string quartet and even just a single acoustic guitar. They are perfect for capturing the ambiance of a live performance without taking in too much room noise. The world of mics can be overwhelming and musical instrument microphones, next to their vocal counterparts, are often overlooked. Luckily, there are a several industry standards which newcomers can rely on to build a reliable collection.


What is a good snare mic around 300 dollars that isn't the sm57?

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That's quite a general question and difficult to answer :) It's similar to "how long is a piece of string"? Since recording studio equipment varies so greatly with regards to quality, the simplest answer to your question would be: "whatever works best for you". At Digital Sound Magic Recording Studios, we use whatever piece of gear will make the music better. A few weeks ago I had a client that used a stick and a cardboard box instead of a $2000 drum kit! So purchase whatever you can afford, but don't let this question prevent you from recording! Use whatever you have and get creative!


What guitar did Kurt Cobain use on the recording for in bloom?

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How to choose an approptiate acoustic guitar microphone?

If your acoustic guitar isn’t capable of plugging into an amplifier or a PA System, you may have to resort to using a microphone. That’s OK. Pickups contained inside or mounted on guitars, horns, and pianos didn’t always exist. Some of the best acoustic guitar recordings were (and still are) recorded with MICROPHONES. This article will help you choose the best microphone for your acoustic guitar. Keep in mind that some of these microphones can be quite expensive.Acoustic GuitarsCondenser microphones are best used when applying a microphone to an acoustic guitar. The sound is generally superior to that of the pickup in an acoustic/electric guitar. The way the acoustic guitar is built is with certain types of wood, and bracing. These two aspects have a big influence on the sound of the instrument. The sound exits the guitar though the guitar’s sound hole. Under the saddle type pickups pick up the sound by picking up the vibrations. They do a decent job considering the source but it’s not equal to a good condenser microphone like the Groove Tubes GT55 which goes for about $180 USD or the Rode NT1A (about $230 USD). The reason you want a condenser microphone rather than a dynamic microphone is because condenser microphones reproduce high frequencies much better than dynamic microphones. You need that for acoustic instruments. You see people using a dynamic microphone like the Sure SM57 to mic guitar amps and that’s fine. Electric guitars don’t require the transient detail that acoustic guitars do. Most condenser microphones are fine when using them with an acoustic guitar.Microphone PlacementMost of your low end sound comes from the sound hole on your acoustic guitar. Most of the high end sound comes from the area of the 12th fret. It’s best to place your microphone about five inches away from the guitar in the area of the 12th fret. Experiment a bit by moving the microphone around a bit until you get your desired sound. If you want to send a stereo signal to the mixer or if you’re recording, place one microphone near the 12th fret as described above and another condenser microphone about five inches away near the bridge of the guitar. Pan one of them all the way to the left and the other all the way to the right. This should give you a great open and natural tone.See? You can do it and you don’t necessarily have to break the bank in the process. Peter and Paul from Peter, Paul, and Mary, James Taylor, Jim Croce, Cat Stevens, and John Denver just to name a few. Those are some of the best sounding acoustic guitar recordings in existence and it was all done with condenser microphones. Good luck.