Here's how you determine a rhyme scheme. You know what it means when words rhyme, right? They have the same vowel and consonant sound at the end. So we ignore all the words in the poem except the last one in each line.
1. Blah blah blah blah blah blah blah blah EYES
2. Blah blah blah blah blah blah blah blah STATE
3. Blah blah blah blah blah blah blah blah CRIES
4. Blah blah blah blah blah blah blah blah FATE
5. Blah blah blah blah blah blah blah blah HOPE
6. Blah blah blah blah blah blah blah blah POSESSED
7. Blah blah blah blah blah blah blah blah SCOPE
8. Blah blah blah blah blah blah blah blah LEAST
9. Blah blah blah blah blah blah blah blah DESPISING
10. Blah blah blah blah blah blah blah blah STATE
11. Blah blah blah blah blah blah blah blah ARISING
12. Blah blah blah blah blah blah blah blah GATE
13. Blah blah blah blah blah blah blah blah BRINGS
14. Blah blah blah blah blah blah blah blah KINGS
OK. You take the first end-word, EYES, and call that rhyme A. You will note that the end-word for line 3, CRIES, also ends in rhyme A. Very good. Line 2's end-word is STATE which does not rhyme with EYES, so we call it rhyme B. And you will note that the end words of lines 4, 10 and 12 also have rhyme B. HOPE is rhyme C, and POSESSED is rhyme D. (For the purposes of this analysis, we should assume that LEAST rhymed with POSESSED in whatever weird accent Shakespeare spoke in, and so is also rhyme D. You can question this later if you want, but for now let's go with it).
Continue through to the end of the poem, and write down your results, with the line numbers 1:A 2:B 3:A 4:B 5:C 6:D and so on.
Now leave out the line numbers so you get a stream of letters ABABCDCD and so on. This is your rhyme scheme.
The rhyme scheme for Shakespeare's Sonnet 29 is ABABCDCDEFEFGG. Each letter represents a line that rhymes with others that share the same letter.
this specific poem doesn't have a rhyme scheme, it is a free verse.
The tune in sonnet 29 is found in the rhyme scheme and meter of the poem. Sonnet 29 follows the Shakespearean sonnet form, which consists of three quatrains and a final couplet, each with its own rhyme scheme. The iambic pentameter rhythm also contributes to the overall musicality of the poem.
Sonnet 43 uses the typical rhyme scheme of the English sonnet, with the rhyme going abab cdcd efef gg.
Villa's Sonnet 1 follows an ABBAABBA CDCDCD rhyme scheme.
The rhyme scheme of a Spencerian sonnet is ABABBCBCC.
Sonnet 130 by William Shakespeare follows an ABABCDCDEFEFGG rhyme scheme. Each quatrain has a unique rhyme scheme, and the couplet at the end rhymes with itself.
The rhyme scheme is ABAB CDCD EFEF GG.
The rhyme scheme in Edmund Spenser's Sonnet 4 is ABAB BCBC CDCD EE.
The rhyme scheme for Love Sonnet XVII by Pablo Neruda is ABBA CDDC EFG FEG.
Sonnet 75 by Edmund Spenser follows an ABABCC rhyme scheme in its octave (first eight lines) and a CDECE rhyme scheme in its sestet (last six lines).
George Herbert's poem "Easter-Wings" has that rhyme scheme.
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The correct rhyme scheme for Sir Philip Sidney's sonnet is ABAB CDCD EFEF GG.