The Comedy of Errors is one of only two of Shakespeare's plays which obey the three unities of classical dramatic theory: unity of time, place and action. Well, it obeys the first two anyway, since the action is actually not as unified as it is in such plays as Oedipus Rex or Racine's Phaedre. To Shakespeare, a play without subplots is a play not worth watching.
The Tempest and The Comedy of Errors both observe the unities.
moral lesson of the commedy of errors
he thought it was good
I have also need answer of this qiestionUsman
Main Tenets of Neoclassical Drama(in terms of play structure and script) Unities of time, place, and actionNo mixing of genres (comedy and tragedy)Plays must be five actsDecorum - Characters must behave according to universal truths
The Tempest and The Comedy of Errors both observe the unities.
Julius Caesar and Antony and Cleopatra are based on actual Roman history. Titus Andronicus and Coriolanus are also set in Ancient Rome, but are not historical. The Comedy of Errors is based on a Roman comedy and is structured like one. It is one of the few Shakespeare plays that adheres to the "unities".
moral lesson of the commedy of errors
Zeus
he thought it was good
I have also need answer of this qiestionUsman
Main Tenets of Neoclassical Drama(in terms of play structure and script) Unities of time, place, and actionNo mixing of genres (comedy and tragedy)Plays must be five actsDecorum - Characters must behave according to universal truths
the unities states of amercian
The three unities according to neoclassical critics are action, place, and time. Any type of literature must have these three things to be a complete, according to Aristotle.
the classical unities
Unity of Time: The play must be done in a 24 hour time span (one revolution of the Sun) Unity of Place: The play must be conducted in one setting Unity of Subject: The play only has one plot line (i.e. no changing from comedy to tragedy)
Shakespeare did not follow the convention of the three unities except in rare cases (such as The Comedy of Errors). In some cases he violates these so-called rules so brashly that one must feel that if he was aware of them, he held them in utter contempt. In particular one is reminded of the way the Winter's Tale flouts the "unity of time", Pericles completely ignores the "unities of place and action" and King Lear, with its complex of subplots, makes a hash of the "unity of action". Dryden, and other late 17th and 18th century writers who worshipped the French authors who had invented these rules, criticized Shakespeare for not having anticipated them. Samuel Johnson, in his introduction to Shakespeare, said he did not know whether or not Shakespeare knew about the unities, but that he clearly knew how to write plays, and that nobody ought to give a hoot (or substitute the expression of your choice) about some arcane and artificial rules.