In a standard Petrarchan sonnet the first eight lines form the octave - typically riming ABBAABBA. The next six lines form the sestet. There is more freedom of riming in the sestet, but CDECDE is a typical pattern, and most sonnetteers avoid riming the last two lines together.
Between the octave and the sestet there is usually a change in point of view, which is called the volta (Italian word for 'turn').
To give an example of how the volta works. In Keats' famous 'On first looking into Chapman's Homer' in the Octave Keats tells us what it was like for him before he had discovered Chapman's translation of The Odyssey. Then in the sestet Keats tells us what it was like reading the book for the first time.
In a Petrarchan Sonnet, the octave (first 8 lines) typically presents a problem or situation that is then resolved or reflected upon in the following sestet (last 6 lines). The octave often sets up the theme or conflict that the poet will explore and develop in the rest of the poem. It can also establish a shift in tone or perspective that is further developed in the sestet.
The octave's purpose is to introduce a problem.
A problem.
Eight line poem is TRIOLET from French a little trio , Ian
The usual theme in a Petrarchan sonnet is unattainable love or the intense emotions associated with love, such as desire, longing, and heartache. The structure of a Petrarchan sonnet allows for exploration of these themes through the use of an octave and a sestet, with a volta (or turn) occurring between the two sections.
Their 14 lines. /
Literary critics usually distinguish sonnets into two major families. A Petrarchan Sonnet has fourteen lines arranged into a group of eight lines, followed by a group of six (an octave followed by the sestet). A change in the point of view nearly always occurs between the two parts, this is called the volta (Italian for 'turn'). A typical rhyme scheme for a Petrarchan sonnet is ABBA ABBA CDECDE. A Shakespearian sonnet also has fourteen lines, but this time they are arranged as three groups of four (quatrains) followed by a riming pair (couplet). The usual pattern is that an idea will be developed through the three quatrains, then summed up in the couplet. Typical rhyming for a Shakespearian sonnet is ABAB CDCD EFEF GG. Shakespearian sonnets are more common, and more natural, in English because they use fewer rhymes (words which rhyme together are much rarer in English than in Spanish, French or Italian). While these are the two main forms, there are many interesting hybrids. John Donne's 'Terrible' sonnets have elements of both Petrarchan and English structure, whereas Milton's sonnets use Petrarchan rhyme patterns, but rarely have a discernible volta. The sonnets of Shelley's 'Ode to the West Wind' are neither Petrarchan nor Shakespearian - they are a new form. And many of Gerard Manley Hopkins sonnets follow no rules but their own.
The Art of the Shakespearean SonnetThe sonnet is a traditionally rigid poetic form featuring fourteen lines with rhyme, meter, and logical structure. The form was first developed in Italy during the High Middle Ages, with such well-known figures as Dante Alighieri putting it to use. But the most famous sonneteer of that time was Francesco Petrarca, and it is after him that the Italian sonnet got its name. The Petrarchan sonnet's fourteen lines are divided into an octave (eight lines) and a sestet (six lines), with the sestet responding to some proposition introduced in the octave. The rhyme scheme varied somewhat, but typically featured no more than four or five rhymes, for example abbaabba cdecde.Thomas Wyatt introduced the sonnet form into the English language in the early 16th century. Although Wyatt stuck to Petrarchan conventions, the form soon evolved into a specifically English one, and it was used by a good number of Renaissance poets - including Shakespeare. In fact, the English sonnet is often referred to as the Shakespearean sonnet for the same reason the Italian sonnet is often named after Petrarch. It is also sometimes referred to as the Elizabethan sonnet, after the era during which it took shape.The Shakespearean sonnet is distinct from the Petrarchan sonnet in a number of ways. First, the octave-sestet division is replaced by a quatrain-couplet division, with three quatrains of four lines each followed by a closing two-line couplet. The rhyme scheme of a traditional Shakespearean sonnet is abab cdcd efef gg, increasing the total number of rhymes to seven. The meter is iambic pentameter, five feet of two syllables each (ten syllables total per line), where each foot is normally an iamb consisting of an unstressed syllable followed by a stressed one. Finally, the logical structure of a Shakespearean sonnet parallels that of the Petrarchan to a certain extent, in that the third quatrain sometimes introduces a twist on the theme of the preceding two; but it is the distinctive couplet that carries the pop, normally delivering a great overarching message or a deeply insightful thought.
Some Petrarchan conventions in Sidney's "Astrophil and Stella" include unrequited love, idealizing the beloved, the use of the sonnet form (14 lines, iambic pentameter, rhyme scheme), and themes of despair and unattainable desire. Sidney's work also explores the conflict between earthly and spiritual love, which are common Petrarchan themes.
Yes, some sonnets utilize repetition as a poetic device. For example, Petrarchan sonnets often use repetition of words or themes in the first eight lines (octave) and then in the final six lines (sestet) to emphasize a point or idea. Shakespearean sonnets may also employ repetition within the three quatrains and final couplet to develop a particular argument or theme.
The bass starts on a low E, and the tenor comes in on the octave.
A sonnet typically includes 14 lines written in iambic pentameter, with a specific rhyme scheme. The rhyme scheme varies between forms, such as Shakespearean (ABAB CDCD EFEF GG) or Petrarchan (ABBAABBA CDCDCD). Sonnets often explore themes of love, beauty, mortality, or nature and may contain a volta, or a turn in the argument or mood of the poem.
octave
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you can use sonnet in a sentence by eating `and licking dookie. liliy nsopher