Leonardo got his start as an artist around 1469, when his father apprenticed him to the fabled workshop of Verocchio. Verocchio's specialty was perspective, which artists had only recently begun to get the hang of, and Leonardo quickly mastered its challenges. In fact, Leonardo quickly surpassed Verocchio, and by the time he was in his early twenties he was downright famous. Renaissance Italy was centuries away from our culture of photographs and cinema, but Leonardo nevertheless sought a universal language in painting. With perspective and other realistic elements, Leonardo tried to create faithful renditions of life. In a culture previously dominated by highly figurative and downright strange religious paintings, Leonardo's desire to paint things realistically was bold and fresh. This call to objectivity became the standard for painters who followed in the 16th century. No slouch when it came to the techniques of the day, Leonardo went beyond his teaching by making a scientific study of light and shadow in nature. It dawned on him that objects were not comprised of outlines, but were actually three-dimensional bodies defined by light and shadow. Known as chiaroscuro, this technique gave his paintings the soft, lifelike quality that made older paintings look cartoony and flat. He also saw that an object's detail and color changed as it receded in the distance. This technique, called sfumato, was originally developed by Flemish and Venetian painters, but of course Super-Genius Leonardo transformed it into a powerful tool for creating atmosphere and depth. Ever the perfectionist, Leonardo turned to science in the quest to improve his artwork. His study of nature and anatomy emerged in his stunningly realistic paintings, and his dissections of the human body paved the way for remarkably accurate figures. He was the first artist to study the physical proportions of men, women and children and to use these studies to determine the "ideal" human figure. Unlike many of his contemporaries -- Michelangelo for example -- he didn't get carried away and paint ludicrously muscular bodies, which he referred to as "bags of nuts." All in all, Leonardo believed that the artist must know not just the rules of perspective, but all the laws of nature. The eye, he believed, was the perfect instrument for learning these laws, and the artist the perfect person to illustrate them.
Chosen artist
Leonardo da vinci has been chosen as my favourite artist
Materials used?Da Vinci loved to use Marbel /oil paints /wood to create the perfect peace art that he did on every occasion
Where did he get his ideas?no body truly knows the answer to this question my own
personal answer he was just a total genius you only have to look at the painting of the last supper and The Mona Lisa
Joe Arnold
In those days painters painted what they were commissioned to do.
This means that their own lives seldom entered into the artwork.
Verrocchio.
He didn't have a nickname.
We have no idea if he did marry
The most famous paintings Leonardo da vincis were : The Mona Lisa and The Last Supper
Leonardo da vinci went to Studio of Andrea del Verrocchio
well his life was all about art and his destiny to be the master of art.
Verrocchio.
Leonardo da vinci was born on April 15, 1452.
Leonardo di ser Piero da Vinci
what is the occupation of leonaradr da vinci
Monalisa
Renaissance period
none
He didn't have a nickname.
We have no idea if he did marry
The special thing about Leonardo Da Vincis art was that it was not comen it was diferent
The most famous paintings Leonardo da vincis were : The Mona Lisa and The Last Supper